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Music Production:

Using Bandlab's (now free!) Cakewalk DAW and Yamaha’s ancient but excellent XGworks with so many advanced features for it's day - sadly it was discontinued in the early 2000s.

Technical studio spec:
Recording vocals and instruments using Cakewalk
MR5 Mk II active studio monitor speakers
C414B and Sure Beta 87A condenser microphones
Sound I/O - Focusrite Saffire Pro 24DSP
DT100 studio headphones

Studio Cat:
Essential studio 'equipment' - one big tabby cat answering to the name of "Henry"; a great back warmer on my chair and extremely musically tolerant!

Taylor acoustic steel string 714ce
Spanish guitar (made by my craftsman brother, a unique, beautiful instrument with a lovely tone)
Faith 'Eclipse' 12 string 
Fenda Jazz bass
Yamaha pacifica electric
Rocket Delux electric
Grafton Banjo
Bruner "Outdoor" travel guitar (great tone with loads of volume for such a compact guitar)
Chappell piano
Djembe (World Rhythm)
LP Bongos
Danso (a traditional bamboo Korean flute)


Writing songs is an immensely satisfying and addictive activity – sometimes hard work; involving weeks/months of effort but very occasionally a full song lyric theme and music can ‘appear’ out of the subconscious in 30minutes. Those sorts of songs are normally the ‘holy grail’ for songwriters because they are often their best songs; having a simplicity of both lyrics and music that is seamless and effective.

I normally start with lyrics first but sometimes a guitar or piano riff can spark a song idea as well or, very occasionally, a 'holy-grail' moment blows in out of nowhere and a "Raindance", "Shooting Star", "Spell" or a "Puffins" will emerge and need very little alteration.

For me, the most important thing in songwriting is having some sort of strong target theme (hook). Once there is the promise of a convincing hook, the rest of the song development is really 'just' technique. However, finding a good hook is not at all easy! Having subject boundaries can help a lot here – for instance if there is a historical story that is worth a song then that narrows the search for a good hook down immensely. When there is only a clean ‘slate’, without target boundaries then the mind can go as blank as the slate with nothing to focus on. If you are a songwriter reading this on the hunt for your 'holy-grail' song – the very best of good luck to you; there is nothing quite like the feeling of creating a new song.